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remained rooted in the earth. It is proof that as the

world shifts, traditional knowledge continues to

adapt.

An Extended Journey Home

Bo t h Laung and At u l have pa r t i c i pat ed i n

expeditions back to their ancestral lands in

Takivatan. Standing before the stone houses of their

forefathers was a profound shock, fueling their drive

to map the migration paths of their clans. In 2023,

they published Iliudun tu tanqaiv sia lumap: Bahu'an

Bunun siduq takiVatan tu tunlusqu, a book revealing

that even after forced relocation, the Bunun

Phoebe tree with a trunk sturdy enough for carving.

Aki Buaq himself was named after this water-loving

tree. Once dried, its wood becomes incredibly

hard

—

perfect for wooden spoons designed to

scrape up the most fragrant, stubborn bits of

scorched millet from the bottom of a pot. These

spoons preserve the memory of families huddled

together, sharing a meal from a single hearth.

Born in 1945, Aki Buaq

’

s family was forcibly

relocated by the Japanese colonial government to

the lower hills of Hualien. Though the environment

changed

—

the altitude and vegetation differing

from their ancestral lands in Nantou

—

their tools

以 器 物 為 路

The Path of the Craft

47